Since forming in late , the band have released four studio albums , three live albums , six studio extended plays three collaborations , seven live extended plays and twenty-two singles. This list contains unreleased songs and cover versions played by the band. From Wikipedia, the free encyclopedia. This article needs additional citations for verification.
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Chris Baeza, Freelance Writer November 13, Along with the likes of The Avett Brothers , the Lumineers and Of Monsters and Men , Mumford and Sons was essential to bringing folk back to life in our modern music era. The track aims to trigger a more emotional response from their audience with a slow pace and a moving acoustic melody. Rather than dancing a jig, listeners may prefer banging their heads at the skittering beats and riffs. It possesses a mix of the old and new of Mumford with a slow start that creciendos into an intense bridge and final chorus. This song, like many other Mumford classics, contains great deals of emotion and sound. Timshel differs itself from other tracks for its minimalist composition. Most of the track includes an acoustic guitar and each voice of the quartet—it is not until the last moments of the song that a banjo can be heard. Most impressively, Ben Lovett takes center stage at the beginning with a moving piano solo that sets the pace.
The band consists of Marcus Mumford lead vocals, electric guitar, acoustic guitar, drums , Ben Lovett vocals, keyboards, piano , Winston Marshall vocals, electric guitar, banjo and Ted Dwane vocals, bass guitar, double bass. Lovett indicated that the name was meant to evoke the sense of an "antiquated family business name". A handful of similar bands were increasing their visibility in West London around the same time, giving rise to the label "West London folk scene". Well, some of it is, and it's certainly not a scene. Someone got over-excited about a few bands who live in a hundred-mile radius and put it in a box to sell it as a package. It's a community, not a scene. It's not exclusive. In early , the band began working with manager Adam Tudhope, who, as part of management company Everybody's, also represents Keane and Laura Marling. Bloom told HitQuarters that they were still at a fledgling state and not yet ready for a label deal: "There was no one there for it, just a few friends, and they needed time to develop.
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