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Now based in Austin and leading VEGA, Palomo has moved closer to the "dream" side of the "dreamwave" descriptor coined for his acts, but he's still refashioning the past with the loving dedication of so many VHS-to-YouTube archivists. Palomo may have his Power Glove in a few too many young-urban-retro-futuristic pies. Lefse Records has just announced a release date for the upcoming debut album by Neon Indian, Palomo's project with video artist Alicia Scardetta; at their best, the group's synth-dripping bedroom-pop hypnotism rivals some of Deerhunter-er Bradford Cox's Atlas Sound home recordings. VEGA's Joy Division-referencing debut EP, Well Known Pleasures -- originally slated for May release, and finally out digitally this month-- blasts that basic sound into more cosmic-disco-influenced frontiers, with pillowy electronic drifts and proggy solos. Except Well Known Pleasures has a couple of tracks that seem a bit more immediately crowd-pleasing than anything I heard from Ghosthustler. Opener "No Reasons", with its chopped-up vocals and laser squiggles, is a fine piece of French-touched synth-pop that ought to win over some fans of Cut Copy. And the title track, described by Discobelle as a "smooth synthy pop track with a nice housey feeling," is basically just that, though the still-developing vocals and lyrics shouldn't keep Phoenix up nights. Closing synth lullaby "Other End" is over and forgotten in barely a minute and a half.
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Now that my boyfriend and I are beginning to talk about a future together, though, I realize that I need to consider this question of marrying outside of the church very carefully. Trying to maintain a long-distance relationship with someone at home or attempting to date someone you meet while on mission are both distractions. I've been holding out, mostly contentedly, for a time when we could appreciate each other as unique individuals.